Tuesday, January 15, 2013

The Rolling Stones - England's Newest Hit Makers (1964)

The Rolling Stones - England's Newest Hit Makers (1964) front coverThe Rolling Stones - England's Newest Hit Makers (1964) back cover
 The Rolling Stones - England's Newest Hit Makers - Released Year 1964

Tracklist front / back album covers

UK edition

Side one
1. "Route 66"   2:20
2. "I Just Want to Make Love to You"   2:17
3. "Honest I Do"   2:09
4. "Mona (I Need You Baby)"   3:33
5. "Now I've Got a Witness"   2:29
6. "Little by Little"   2:39

Total length:   15:27

Side two
1. "I'm a King Bee"   2:35
2. "Carol"   2:33
3. "Tell Me (You're Coming Back)"   4:05
4. "Can I Get a Witness"   2:55
5. "You Can Make It If You Try"   2:01
6. "Walking the Dog"   3:10

Total length:   17:19


US edition

Side one
1. "Not Fade Away"   1:48
2. "Route 66"   2:20
3. "I Just Want to Make Love to You"   2:17
4. "Honest I Do"   2:09
5. "Now I've Got a Witness"   2:29
6. "Little by Little"   2:39

Total length:   13:42

Side two
1. "I'm a King Bee"   2:35
2. "Carol"   2:33
3. "Tell Me"   4:05
4. "Can I Get a Witness"   2:55
5. "You Can Make It If You Try"   2:01
6. "Walking the Dog"   3:10

Total length:   17:19


 
The Rolling Stones Band Members / Musicians
Mick Jagger – lead vocals, backing vocals, harmonica ("Honest I Do", "Little by Little", "I'm a King Bee"), percussion ("Not Fade Away"), handclaps ("Route 66")

Keith Richards – electric guitar, acoustic guitar, backing vocals

Brian Jones – electric guitar, harmonica "Not Fade Away", "I Just Want to Make Love to You", "Now I've Got a Witness", [14], percussion ("Can I Get a Witness", "You Can Make It If You Try"), backing vocals

Bill Wyman – bass guitar, backing vocals

Charlie Watts – drums

Ian Stewart – piano ("Little by Little", "Tell Me", "Can I Get a Witness", "I Just Want to Make Love to You"), organ ("Now I've Got a Witness", "You Can Make It If You Try")

Gene Pitney – piano ("Little by Little")

Phil Spector – maracas ("Little by Little")

Graham Nash – backing vocals ("Little by Little")

Allan Clarke – backing vocals ("Little by Little")

The Rolling Stones - England's Newest Hit Makers (1964) timeline band members

The Rolling Stones is the debut studio album by the English rock band the Rolling Stones, released by Decca Records in the UK on 16 April 1964. The American edition of the LP, with a slightly different track list, came out on London Records on 30 May 1964, subtitled England's Newest Hit Makers, which later became its official title.

Recorded at Regent Sound Studios in London over the course of five days in January and February 1964, The Rolling Stones was produced by then-managers Andrew Loog Oldham and Eric Easton. The album was originally released by Decca Records in the UK, while the US version appeared on the London Records label.

The majority of the tracks reflect the band's love for R&B. Mick Jagger and Keith Richards (whose professional name until 1978 omitted the "s" in his surname) were fledgling songwriters during early 1964, contributing only one original composition to the album: "Tell Me (You're Coming Back)". Two songs are credited to "Nanker Phelge" – a pseudonym the band used for group compositions from 1963 to 1965. Phil Spector and Gene Pitney both contributed to the recording sessions, and are referred to as "Uncle Phil and Uncle Gene" in the subtitle of the Phelge instrumental "Now I've Got a Witness".

First pressings of the album, with matrix numbers ending in 1A, 2A, 1B, and 2B, have a 2:52 version of "Tell Me (You're Coming Back)", which was pressed from the wrong master tape. Subsequent pressings include the 4:06 version. Early labels and covers also have misprints with the fourth track on side 1 listed as "Mona", which was later changed to "I Need You Baby"", the subtitle of "Now I've Got a Witness" written "Like Uncle Gene and Uncle Phil", the word 'If' omitted from "You Can Make It If You Try", and 'Dozier' spelt 'Bozier'. "Route 66" is listed as "(Get Your Kicks On) Route 66" on some versions of the album, and some later versions of the album have "I Need You Baby" listed as "Mona (I Need You Baby)" and the subtitles of "Now I've Got a Witness" and "Tell Me (You're Coming Back)" removed entirely.

The album cover photo was taken by Nicholas Wright. The cover bears no title or identifying information other than the photo and the Decca logo – an "unheard of" design concept originated by manager Andrew Oldham.

Upon its release, The Rolling Stones became one of 1964's biggest sellers in the UK, staying at No. 1 for twelve weeks.

The original British version of the album was released on compact disc in 1984, but became out-of-print on CD for many years afterwards. In November 2010, it was made available as part of a limited edition vinyl box set titled The Rolling Stones 1964–1969, and by itself digitally at the same time. The original title was also re-instated as part of the Rolling Stones in Mono CD box set, released on 30 September 2016. The album was only released in mono in both the UK and US; no true stereo mix was ever made.

The US version of the album, originally self-titled but later officially called England's Newest Hit Makers, was the band's debut US album and was released by London Records on 30 May 1964, a month-and-a-half after the British version. The track "Not Fade Away" (the A-side of the band's third UK single) replaced "I Need You Baby", and the titles of the tracks "Now I've Got a Witness (Like Uncle Phil and Uncle Gene)" and "Tell Me (You're Coming Back)" were shortened to "Now I've Got a Witness" and "Tell Me" on most versions of the American release. Upon its release, The Rolling Stones reached No. 11 in the US, going gold in the process. To date, this is the Stones' only American studio album that has failed to place in the top five on the Billboard album charts. In August 2002, the album, by now officially called England's Newest Hit Makers, was reissued as a new remastered CD and SACD Digipak by ABKCO.

The English rock group the Rolling Stones have released 30 studio albums, 33 live albums, 29 compilation albums, three extended play singles, 121 singles, 32 box sets, 48 video albums and 77 music videos. Throughout their career, they have sold over 240 million records worldwide. Billboard ranked them as the 2nd Greatest artist of all time (behind The Beatles). The Rolling Stones have scored 37 Top 10 albums (9 No. 1 albums) on Billboard 200 and 8 No. 1 hits on Billboard Hot 100.[3] According to the Recording Industry Association of America, they have sold 66.5 million albums in the US, making them the 7th best-selling group in history.

The early singles and albums released from 1963 to 1967 were originally on Decca Records in the United Kingdom, and on their subsidiary label London Records in the United States.

Prior to 1967, it was common practice for British releases to be reconfigured for the American market. In some cases, the US version would be an entirely different album with different tracks, cover photos and liner notes. The first five British Rolling Stones albums were converted into seven LPs for the American market, adding material from singles and the UK EPs. The two Big Hits singles packages, from 1966 and 1969 respectively, differ in each nation, and in the case of December's Children (And Everybody's) and Flowers there are no UK counterparts. Studio releases from Their Satanic Majesties Request in 1967 forward are uniform in both the UK and the US.



The Rolling Stones Discography 

Studio albums
1964 The Rolling Stones (UK)
1964 England's Newest Hit Makers (US)
1964 12 X 5 (US)
1965 The Rolling Stones No. 2 (UK)
1965 The Rolling Stones, Now! (US)
1965 Out of Our Heads (US)
1965 Out of Our Heads (UK)
1965 December's Children (And Everybody's) (US)
1966 Aftermath (UK)
1966 Aftermath (US)
1967 Between the Buttons (UK)
1967 Between the Buttons (US)
1967 Their Satanic Majesties Request
1968 Beggars Banquet
1969 Let It Bleed
1971 Sticky Fingers
1972 Exile on Main St.
1973 Goats Head Soup
1974 It's Only Rock 'n Roll
1976 Black and Blue
1978 Some Girls
1980 Emotional Rescue
1981 Tattoo You
1983 Undercover
1986 Dirty Work
1989 Steel Wheels
1994 Voodoo Lounge
1997 Bridges to Babylon
2005 A Bigger Bang
2016 Blue & Lonesome

Live albums
1966 Got Live If You Want It!
1970 Get Yer Ya-Ya's Out! The Rolling Stones in Concert
1977 Love You Live
1982 Still Life
1991 Flashpoint
1995 Stripped
1996 The Rolling Stones Rock and Roll Circus
1998 No Security
2004 Live Licks
2008 Shine a Light
2017 On Air

The Rolling Stones – England’s Newest Hit Makers (1964): The Birth of Rock ’n’ Roll Rebellion

Released on April 16, 1964, England’s Newest Hit Makers introduced the world to The Rolling Stones—a band that would become the longest-running and most influential rock ’n’ roll group in history. While The Beatles represented polish and charm, the Stones embodied raw blues, danger, sexuality, and attitude.

This debut album didn’t just launch a career—it marked the arrival of rock music’s darker, grittier future.


Album Overview

  • Artist: The Rolling Stones

  • Album: England’s Newest Hit Makers

  • Release Date: April 16, 1964

  • Label: London Records

  • Genre: Blues Rock, Rock & Roll, R&B

  • Length: 33:38

Band Line-Up

  • Mick Jagger – vocals, harmonica

  • Keith Richards – guitar, backing vocals

  • Brian Jones – guitar, harmonica

  • Bill Wyman – bass

  • Charlie Watts – drums


Sound & Style

Unlike later Stones albums driven by Jagger–Richards songwriting, this debut is largely composed of covers—a deliberate tribute to the American blues and R&B artists the band worshipped.

The sound is:

  • Raw and aggressive

  • Heavily blues-based

  • Recorded with minimal polish

  • Focused on groove and attitude rather than perfection

Artists covered include Muddy Waters, Chuck Berry, Jimmy Reed, and Willie Dixon, bringing Black American blues to a young British audience.

Fun Fact: The album’s title was a sarcastic jab at the British press, which constantly compared the Stones to The Beatles.


Key Tracks & Highlights

  • “Route 66” – A roaring opener that sets the album’s rebellious tone

  • “I Just Want to Make Love to You” – Sexual tension unheard of in pop at the time

  • “Carol” – Chuck Berry swagger at full throttle

  • “Tell Me” – The album’s only Jagger–Richards original, hinting at future greatness

  • “Walking the Dog” – A crowd favorite that defined early Stones live shows

While musically simple, the album radiates danger, youth, and authenticity.


Cultural Impact & Legacy

Though modest by later Stones standards, England’s Newest Hit Makers reached No. 11 on the US Billboard chart, a major achievement for a debut album by a British blues band.

More importantly, it:

  • Helped spark the British Invasion

  • Reintroduced American blues to mainstream audiences

  • Established the Stones as the “anti-Beatles”

  • Laid the groundwork for one of the greatest discographies in music history

Trivia: Many of the original blues artists covered by the Stones later gained renewed recognition and financial success thanks to the band.


Album Sales & Historical Notes

  • Over 500,000 copies sold worldwide

  • Inducted into the Rock and Roll Hall of Fame legacy discussions

  • Frequently ranked among the best debut albums of the 1960s


Top 20 Rolling Stones Songs – Definitive Ranking

This ranking balances songwriting, cultural impact, longevity, live popularity, and influence.


1. (I Can’t Get No) Satisfaction

The ultimate rock riff. A cultural anthem of rebellion and frustration.

2. Gimme Shelter

Dark, apocalyptic, and haunting. A masterpiece of tension and atmosphere.

3. Sympathy for the Devil

Provocative, intelligent, and rhythmically hypnotic.

4. Paint It Black

Eastern influences and existential dread merged into a global hit.

5. Jumpin’ Jack Flash

Pure rock energy. One of the Stones’ greatest live staples.

6. Angie

A tender, emotional ballad that showcased vulnerability.

7. Brown Sugar

Controversial, catchy, and undeniably iconic.

8. You Can’t Always Get What You Want

Gospel, orchestration, and wisdom rolled into one epic.

9. Wild Horses

Gentle country-rock perfection.

10. Ruby Tuesday

Melancholy pop with baroque undertones.

11. Street Fighting Man

Revolutionary energy during political upheaval.

12. Honky Tonk Women

Bluesy swagger and unforgettable groove.

13. Midnight Rambler

Dark storytelling and explosive live performances.

14. Tumbling Dice

Loose, funky, and irresistibly cool.

15. Beast of Burden

Smooth, soulful Stones at their most relaxed.

16. Let It Bleed

Raw blues aggression and early hard rock elements.

17. Start Me Up

Arena rock perfection.

18. Miss You

Disco-influenced brilliance that divided fans—and worked.

19. Under My Thumb

Brian Jones’ marimba adds a unique texture.

20. Time Is on My Side

One of their earliest classics and a defining early hit.


Final Verdict

England’s Newest Hit Makers may not feature the songwriting genius of later Rolling Stones albums, but it captures something equally important: the moment rock music grew teeth.

It is the sound of young musicians obsessed with the blues, unafraid of controversy, and ready to challenge pop norms. From this raw debut grew a band that would define rock ’n’ roll attitude for over six decades.


Rolling Stones – Top-Selling Albums of All Time

The Rolling Stones are not only one of the most influential rock bands in history—they are also one of the best-selling, with estimated 200+ million albums sold worldwide. While their discography spans decades, certain albums have stood out commercially and culturally. Here’s a breakdown of the top-selling Rolling Stones albums:


1. Hot Rocks 1964–1971 (1971)

  • Sales: ~12 million copies (US), ~20 million worldwide

  • Type: Compilation

  • Trivia: Features classic hits like Satisfaction, Paint It Black, and Jumpin’ Jack Flash. Considered one of the best rock compilations of all time.


2. Some Girls (1978)

  • Sales: ~6 million copies (US), ~8 million worldwide

  • Highlights: Miss You, Beast of Burden, Shattered

  • Fun Fact: The disco-influenced sound expanded the Stones’ audience during the late ’70s.


3. Tattoo You (1981)

  • Sales: ~6 million copies (US), ~8 million worldwide

  • Hit Single: Start Me Up

  • Trivia: The album was mostly composed of outtakes and leftovers but became one of the Stones’ most commercially successful records.


4. Sticky Fingers (1971)

  • Sales: ~6 million copies (US), ~7 million worldwide

  • Notable Tracks: Brown Sugar, Wild Horses

  • Fun Fact: Designed by Andy Warhol, the iconic zipper cover caused controversy but helped sales.


5. Let It Bleed (1969)

  • Sales: ~5 million copies (US), ~6 million worldwide

  • Key Tracks: Gimme Shelter, You Can’t Always Get What You Want

  • Trivia: Recorded during a tumultuous period; Brian Jones’ death occurred shortly before its release.


6. Out of Our Heads (1965)

  • Sales: ~5 million copies worldwide

  • Hit Singles: Satisfaction, The Last Time

  • Trivia: Their first US number-one album, cementing the Stones’ presence during the British Invasion.


7. Beggar’s Banquet (1968)

  • Sales: ~4 million copies worldwide

  • Key Tracks: Sympathy for the Devil, Street Fighting Man

  • Trivia: Marked a return to blues roots after the experimental psychedelic era.


8. Exile on Main St. (1972)

  • Sales: ~4 million copies (US), ~7 million worldwide

  • Highlights: Tumbling Dice, Rocks Off

  • Fun Fact: Recorded mostly in a French villa during tax exile; known for its raw, swampy sound.


9. Big Hits (High Tide and Green Grass) (1966)

  • Sales: ~4 million copies worldwide

  • Trivia: Another compilation capturing the British Invasion era and early hits, often introducing new fans to the Stones’ sound.


10. Bridges to Babylon (1997)

  • Sales: ~3 million copies (US), ~5 million worldwide

  • Hits: Anybody Seen My Baby?, Saint of Me

  • Fun Fact: Despite being a later-era album, it showcased the Stones’ ability to stay commercially relevant with modern production techniques.


Honorable Mentions

  • Goats Head Soup (1973) – ~4 million worldwide

  • Black and Blue (1976) – ~3 million worldwide

  • Voodoo Lounge (1994) – ~3 million worldwide


Trends & Observations

  • Compilations like Hot Rocks often outsell studio albums.

  • Peak commercial success occurred in the 1970s, coinciding with their blues-inspired rock and iconic tours.

  • Album art, touring, and controversy often boosted sales as much as the music itself.


Fun Fact: The Rolling Stones’ sales numbers are difficult to verify precisely because of different international certifications, reissues, and compilations—yet they remain one of the highest-grossing rock bands in history.

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