Sunday, April 14, 2024

Gorillaz - Song Machine, Season One: Strange Timez (2020) | Analysis, Fun Facts & Trivia

 Gorillaz - Song Machine, Season One: Strange Timez (2020) cd front coverGorillaz - Song Machine, Season One: Strange Timez (2020) cd back cover

Gorillaz - Song Machine, Season One: Strange Timez (2020)


Gorillaz – Song Machine, Season One: Strange Timez (2020) | Full Album Guide, Tracklist & Facts

🎧 Overview of Song Machine, Season One: Strange Timez

Gorillaz returned in 2020 with a radically different release strategy in Song Machine, Season One: Strange Timez, an episodic, collaboration-heavy project that blurred the line between album and ongoing series. Instead of a traditional studio LP, the band released tracks as “episodes,” each featuring a different guest artist, reflecting the fragmented, hyper-digital culture of the late 2010s and early 2020s.

The album represents a hybrid concept: part multimedia project, part collaborative compilation, and part narrative experiment set inside the Gorillaz universe.


📀 Album Tracklist

Song Machine, Season One: Strange Timez includes the following tracks:

  1. Strange Timez (feat. Robert Smith)
  2. The Valley of the Pagans (feat. Beck)
  3. The Lost Chord (feat. Leee John)
  4. Pac-Man (feat. ScHoolboy Q)
  5. Chalk Tablet Towers (feat. St Vincent)
  6. The Pink Phantom (feat. Elton John & 6LACK)
  7. Aries (feat. Peter Hook & Georgia)
  8. Friday 13th (feat. Octavian)
  9. Dead Butterflies (feat. Roxani Arias)
  10. Désolé (feat. Fatoumata Diawara)
  11. Momentary Bliss (feat. slowthai & Slaves)
  12. Opium (Episode Bonus Track / Deluxe versions)

🎼 Musical Style & Genre Breakdown

The album is stylistically eclectic, reflecting Gorillaz’s core identity but pushing further into genre fusion:

  • Alternative rock & Britpop (especially on “Strange Timez” and “The Pink Phantom”)
  • Hip hop (ScHoolboy Q, slowthai collaborations)
  • Electronic / synth-pop production
  • Afrobeat and world music influences (notably “Désolé”)
  • Post-punk / new wave (Peter Hook’s bass on “Aries”)
  • Experimental pop structure via episodic releases

The project is defined less by genre cohesion and more by collaborative diversity, acting as a curated sonic network rather than a unified sound palette.


🎤 Album Credits & Production

Key production elements:

  • Primary producers: Damon Albarn, James Ford, Remi Kabaka Jr.
  • Executive concept: Gorillaz virtual band universe team
  • Recorded across multiple global studios and remote sessions (many during COVID-era restrictions)
  • Heavy use of digital collaboration due to remote recording constraints
  • Visual direction tied to episodic animated releases on YouTube

The production model itself became part of the artistic statement—music created in isolation but connected digitally.


🌍 Fun Facts About the Album

  • Each track was released as a standalone “episode” with its own animated short film.
  • The project includes collaborations with artists from multiple generations, from Elton John to ScHoolboy Q.
  • The title references “Strange Timez,” a nod to both cosmic imagery and the COVID-era global disruption.
  • Some tracks were written and recorded remotely during lockdown conditions.
  • The “Song Machine” concept was initially intended as an ongoing infinite content series.

📚 Trivia You Might Not Know

  • “The Pink Phantom” features Elton John performing alongside a virtual animated version of himself inside the Gorillaz universe.
  • The collaboration with Robert Smith bridges two iconic alternative worlds: Gorillaz and The Cure’s gothic soundscape.
  • Peter Hook’s bass on “Aries” directly references his Joy Division/New Order playing style, making it a nostalgic sonic callback.
  • The album’s structure inspired later artists to experiment with “single-by-single album building” strategies.

🤯 Did You Know?

  • The “Song Machine” concept was originally imagined as a never-ending release format rather than a fixed album cycle.
  • Some visuals were designed before the music was fully completed, reversing traditional album production flow.
  • The project is considered one of the earliest mainstream examples of a fully “digital-native collaborative album series.”
  • Despite being labeled Season One, a follow-up “season” has been repeatedly teased but not formally released as a standard album.

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