Tracklist front / back album covers
U2 - The Joshua Tree
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Side one
1. "Where the Streets Have No Name" 5:38
2. "I Still Haven't Found What I'm Looking For" 4:38
3. "With or Without You" 4:56
4. "Bullet the Blue Sky" 4:32
5. "Running to Stand Still" 4:18
Side two
1. "Red Hill Mining Town" 4:54
2. "In God's Country" 2:57
3. "Trip Through Your Wires" 3:33
4. "One Tree Hill" 5:23
5. "Exit" 4:13
6. "Mothers of the Disappeared" 5:12
Total length: 50:11
U2 Band Members / Musicians
Bono – lead vocals, harmonica, guitars
The Edge – guitars, backing vocals, piano
Adam Clayton – bass guitar
Larry Mullen Jr. – drums, percussion
Brian Eno – keyboards, DX7 programming, backing vocals
Daniel Lanois – tambourine, Omnichord, additional rhythm guitar ("I Still Haven't Found What I'm Looking For", Running to Stand Still"), backing vocals
The Armin Family – strings ("One Tree Hill")
The Arklow Silver Band – brass ("Red Hill Mining Town")
Paul Barrett – brass arrangement and conducting
Daniel Lanois – production
Brian Eno – production
Flood – recording
Dave Meegan – additional engineering
Pat McCarthy – additional engineering
Steve Lillywhite – mixing ("Where the Streets Have No Name", "With or Without You", "Bullet the Blue Sky", "Red Hill Mining Town")
Mark Wallis – mix engineering
Mary Kettle – assistant mix engineering
Bob Doidge – string recording
Joe O'Herlihy – studio crew
Des Broadberry – studio crew
Tom Mullally – studio crew
Tim Buckley – studio crew
Marc Coleman – studio crew
Mary Gough – studio crew
Marion Smyth – studio crew
Kirsty MacColl – album track sequencing
The Joshua Tree is the 5th studio album by Irish rock band U2. It was produced by Daniel Lanois and Brian Eno, and was released on 9 March 1987 on Island Records. In contrast to the ambient experimentation of their 1984 release, The Unforgettable Fire, the band aimed for a harder-hitting sound within the limitation of conventional song structures on The Joshua Tree. The album is influenced by American and Irish roots music, and through sociopolitically conscious lyrics embellished with spiritual imagery, it contrasts the group's antipathy for the "real America" with their fascination with the "mythical America".
