Monday, June 28, 2021

The Shadows of Knight - Back Door Men (1966)

The Shadows of Knight - Back Door Men (1966)

Tracklist front / back album covers

The Shadows of Knight - Back Door Men

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"Bad Little Woman" (Herbie Armstrong, Victor Catling, Rod Demick, Brian Rosbotham, Tito Tinsley) – 2:37

"Gospel Zone" (Tom Schiffour) – 3:19

"The Behemoth" (Harry Pye) – 2:34

"Three for Love" (Joe Kelly) – 3:11

"Hey Joe" (Billy Roberts) – 5:42

"I'll Make You Sorry" (Kelly) – 2:42

"Peepin' and Hidin'" (Jimmy Reed) - 3:01

"Tomorrow's Going to Be Another Day" (Tommy Boyce) – 2:23

"New York Bullseye" (Pye) – 2:43

"High Blood Pressure" (Huey "Piano" Smith, Johnny Vincent) – 3:38

"Spoonful" (Willie Dixon) – 2:57

The Shadows of Knight Band Members / Musicians

David "Hawk" Wolinski – organ, piano, keyboards

Joe Kelly – guitar, harmonica, harp

Jerry McGeorge – guitar, rhythm guitar, feedback

Warren Rogers – bass guitar

Tom Schiffour – drums

Jim Sohns – maracas, marimba, tambourine, vocals

Bob Kidder – engineer

Bob Irwin – mastering

Rich Russell – package design

Clark Besch – graphic design, photography

Steve Besch – graphic design, photography

Paul Hippensteel – graphic design, photography

Jeff Jarema – graphic design, photography

Tim Livingston – project manager

Back Door Men is the 2nd album by The Shadows of Knight. Both this album and its predecessor, Gloria, were released in 1966 and are considered to be seminal garage band albums. As noted by one reviewer, "The original LP version of this album, the second by the legendary white Chicago garage punk/blues outfit, was one of the most sought-after artifacts of mid-'60s punk rock. Back Door Men was a loud, feedback-laden, sneering piece of rock & roll defiance, mixing raunchy anthems to teenage lust (Gospel Zone', 'Bad Little Woman'), covers of Chicago blues classics (Willie Dixon's 'Spoonful', Jimmy Reed's 'Peepin' and Hidin'), raga rock ('The Behemoth'), folk-rock ('Hey Joe', 'Three for Love', 'I'll Make You Sorry'), and a blues-punk grab off of commercial Top 40 ('Tomorrow's Gonna Be Another Day'), all on one 12" platter. What makes the record even more startling is that every one of these tracks, however far afield they go from one another, works.".

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