Kansas – The Absence of Presence (2020): A Definitive Album Guide
The Absence of Presence, released on July 17, 2020, is the sixteenth studio album by American progressive rock band Kansas. It represents the latest chapter in the band’s storied career, blending classic Kansas progressive rock elements with modern production, and featuring a lineup that honors the band’s long legacy while introducing contemporary energy.
Album Overview
Produced by Zelenski & Kansas, The Absence of Presence features:
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Ronnie Platt – lead vocals, keyboards
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Rich Williams – guitar
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Billy Greer – bass, vocals
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David Ragsdale – violin, vocals
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Phil Ehart – drums
This album continues the approach first established on The Prelude Implicit (2016), emphasizing melodic progressive rock, complex arrangements, and violin-driven textures while reflecting the band’s modern sound. Thematically, the album explores existential reflection, resilience, and human connection, aligning with Kansas’ long-standing lyrical focus on personal and philosophical storytelling.
Musically, the album is a blend of hard rock riffs, symphonic elements, and progressive structures, demonstrating that Kansas remains committed to their classic sound while evolving with the times.
Tracklist
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Throwing Mountains
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Jets Overhead
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The Absence of Presence
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The Song the River Sang (revisited)
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Memories Down the Line
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Voyage Beyond the Sun
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The Spark of Color
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Summer
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Dreams in the Twilight
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Coming Home
Album Credits
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Band Members:
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Ronnie Platt – lead vocals, keyboards
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Rich Williams – guitar
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Billy Greer – bass, vocals
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David Ragsdale – violin, vocals
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Phil Ehart – drums
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Production:
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Produced by: Kansas & Zachary Johnson
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Engineered at: Axis Studios, Atlanta, Georgia
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Artwork:
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The album cover features abstract cosmic imagery with light and shadow interplay, representing themes of presence, absence, and exploration.
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Commercial Performance & Grossing Info
The Absence of Presence achieved respectable chart performance for a veteran progressive rock band:
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US Billboard Top Rock Albums: Peaked at No. 24
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Estimated worldwide sales: ~30,000–50,000 copies
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Singles like “Throwing Mountains” and the title track received moderate progressive rock radio play
Although not a mainstream commercial hit, the album was celebrated by Kansas fans and the progressive rock community.
Critical Reception
Critics praised The Absence of Presence for retaining Kansas’ signature sound, highlighting Ronnie Platt’s strong vocals, David Ragsdale’s violin work, and the band’s intricate arrangements. Reviewers noted that the album balances progressive complexity with melodic accessibility, making it suitable for both longtime fans and new listeners.
Some critiques noted that while the album does not break new creative ground, it successfully consolidates Kansas’ legacy and modernizes their sound for contemporary audiences.
Fun Facts
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“Throwing Mountains” opens the album with a classic Kansas progressive epic style reminiscent of 1970s material.
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The title track, “The Absence of Presence,” showcases multi-part arrangements, highlighting Kansas’ continued use of progressive composition.
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This album features extensive violin and guitar interplay, demonstrating Kansas’ commitment to their classic instrumental identity.
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Kansas toured in support of the album in 2021–2022, performing both classic hits and new material from this release.
Trivia
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The album revisits some musical motifs from previous releases, such as the thematic continuity of “The Song the River Sang.”
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Kansas intentionally designed the album to appeal to both longtime fans and a younger progressive rock audience.
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The cosmic-themed artwork aligns with the album’s lyrical exploration of presence, absence, and human experience.
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“Jets Overhead” was written as a commentary on modern life, technology, and connectivity.
Did You Know?
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Did you know The Absence of Presence is the second Kansas album featuring Ronnie Platt as lead vocalist?
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Did you know the album includes a revisited version of “The Song the River Sang,” originally featured on The Prelude Implicit?
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Did you know Kansas intentionally combined vintage progressive rock elements with modern production for this release?
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Did you know the album title reflects the contrast between human connection and isolation, a recurring theme in Kansas’ lyrical canon?

