Sunday, April 11, 2021

Love - Black Beauty (2012)

Love - Black Beauty (2012)

Tracklist front / back album covers
Love - Black Beauty
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Side one
"Young and Able (Good and Evil)" - 3:24
"Midnight Sun" - 3:33
"Can't Find It" - 3:46
"Walk Right In" (Gus Cannon) - 3:23
"Skid" (Angela Rackley, Riley Racer) - 2:52

Side two
"Beep Beep" - 2:14
"Stay Away" - 2:47
"Lonely Pigs" - 4:25
"See Myself in You" - 3:03
"Product of the Times" - 4:11

Bonus tracks
"Thomasine & Bushrod" [Title song from the motion picture] - 2:26
Arthur Lee Interview - 22:16
"Every Time I Look Up, I'm Down" [Live] - 3:32
"Nothing" [Live] - 3:06
"Keep on Shining" [Live] - 5:56
"L.A. Blues" - 3:02

Love Band Members / Musicians
Arthur Lee - guitar, keyboards, vocals
Melvan Whittington - guitar, keyboards (tracks 1-9)
Robert Rozelle - bass (tracks 1-9)
Joe Blocker - drums, vocals (tracks 1-9)
Craig Tarwater - guitar (track 10)
Frank Fayad - bass (track 10)
Don Poncher - drums (track 10)

Black Beauty is an album by the psychedelic rock band Love, released on February 13, 2012. Issued on High Moon Records, it compiles material from a canceled studio album, which frontman Arthur Lee—backed by a new group with an all-black line-up—planned to have released on the Buffalo Records label. Recorded after a series of unsuccessful albums, both with Love and his 1972 solo effort Vindicator, Black Beauty was intended to serve as Lee's comeback album. Among other Love releases, it is notable for its reinvention of the band as a funk group, while preserving Lee's lyrical complexity.

Released nearly six years after the death of Lee, Black Beauty did not represent the pinnacle of Lee's musical creativity, but is seen as an appropriate closing chapter on his and Love's recording career. Some of the tracks for the canceled album had appeared beforehand on compilation albums such as Reel to Real and Love Lost however, Black Beauty is the first release to assemble all the compositions from the 1973 recording sessions. While the album does not represent the classic Love line-up, music critics have recognized it as the best representation of Lee's hard rock period.

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