Friday, March 6, 2020

Led Zeppelin - Physical Graffiti (1975)

Led Zeppelin - Physical Graffiti - Released Year 1975



Tracklist front / back album covers

Side one

1. "Custard Pie" January–February 1974, Headley Grange, Hampshire 4:13
2. "The Rover" May 1972, Stargroves (Houses of the Holy outtake) 5:36
3. "In My Time of Dying" (John Bonham, John Paul Jones, Page, Plant) January–February 1974, Headley Grange 11:04

Side two

1. "Houses of the Holy" May 1972, Olympic Studios, London (Houses of the Holy outtake) 4:01
2. "Trampled Under Foot" (Jones, Page, Plant) January–February 1974, Headley Grange 5:35
3. "Kashmir" (Bonham, Page, Plant) January–February 1974, Headley Grange 8:37[d]

Side three

1. "In the Light" (Jones, Page, Plant) January–February 1974, Headley Grange 8:44
2. "Bron-Yr-Aur" (Page[e]) July 1970, Island Studios, London (Led Zeppelin III outtake) 2:06
3. "Down by the Seaside" February 1971, Island Studios, London (Led Zeppelin IV outtake) 5:14
4. "Ten Years Gone" January–February 1974, Headley Grange 6:31

Side four

1. "Night Flight" (Jones, Page, Plant) January 1971, Headley Grange (Led Zeppelin IV outtake) 3:36
2. "The Wanton Song" January–February 1974, Headley Grange 4:06
3. "Boogie with Stu" (Bonham, Jones, Page, Plant, Ian Stewart, Mrs. Valens) January 1971, Headley Grange (Led Zeppelin IV outtake) 3:51
4. "Black Country Woman" May 1972, Stargroves (Houses of the Holy outtake) 4:24

5. "Sick Again" January–February 1974, Headley Grange 4:43


Physical Graffiti is the sixth studio album by the English rock band Led Zeppelin. It was released as a double album on 24 February 1975 by the group's new record label, Swan Song Records.

The band wrote and recorded eight new songs for the album in early 1974 at Headley Grange, a country house in Hampshire, which gave them ample time to improvise arrangements and experiment with recording. The total playing time covered just under three sides of an LP, so they decided to expand it into a double by including previously unreleased tracks from the sessions for the earlier albums Led Zeppelin III, Led Zeppelin IV and Houses of the Holy. The album covered a range of styles including hard rock, progressive rock, rock 'n' roll and folk. The album was then mixed over summer 1974 and planned for an end-of year release. It was delayed because of the sleeve, which was designed by Peter Corriston and featured a theme around a tenement block in Manhattan, New York City.

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