Sunday, February 6, 2022

Titãs - Jesus não Tem Dentes no País dos Banguelas (1987)

Titãs - Jesus não Tem Dentes no País dos Banguelas (1987)

Tracklist front / back album covers

1. "Todo Mundo Quer Amor" (Everybody Wants Love)   1:18

2. "Comida" (Food)   3:59

3. "O Inimigo" (The Enemy)   2:13

4. "Corações e Mentes" (Hearts and Minds)   3:47

5. "Diversão" (Fun)   4:45

6. "Infelizmente" (Unfortunately)   3:01

7. "Jesus não Tem Dentes no País dos Banguelas" (Jesus Has No Teeth in the Land Of The Toothless)   2:11

8. "Mentiras" (Lies)   2:09

9. "Desordem" (Disorder)   4:01

10. "Lugar Nenhum" (Nowhere)   2:56

11. "Armas pra Lutar" (Weapons to Fight)   2:10

12. "Nome aos Bois" (Names to the Oxen)   2:06

13. "Violência" (Violence; not included in the vinyl version)   2:48

Titãs Band Members / Musicians

Arnaldo Antunes — vocals

Branco Mello — vocals

Charles Gavin — drums and percussion

Marcelo Fromer — rhythm and lead guitar

Nando Reis — bass guitar and vocals

Paulo Miklos — vocals

Sérgio Britto — keyboard and vocals

Tony Bellotto — lead and rhythm guitar

Liminha — electric guitar and synth bass (in "Comida"), drum machine (in "Diversão") and classical guitar (in "Desordem")

Jesus não Tem Dentes no País dos Banguelas (Portuguese for "Jesus Has no Teeth in the Land of the Toothless") is the fourth studio album by Brazilian rock band Titãs, released on November 23, 1987. Like its predecessor Cabeça Dinossauro, it was produced by Liminha and featured electronic music experimentations and funk rock influences, besides tackling social issues in its lyrics. Its recording took place at Nas Nuvens studio in Rio de Janeiro and lasted for little more than two months.

It was promoted at the 1988 Hollywood Rock, which boosted the band's popularity. Songs such as "Lugar Nenhum", "Nome aos Bois" and especially "Comida", which became an anthem for student activists, became notorious among the public.

The album was a critical and commercial success, being considered one of the best and most important albums by the band and being certified double platinum by (then) ABPD in 1994. In 2011, it was re-released and made available for digital download the following year.

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